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Journal 1935–1944: The Fascist Years, by Mihail Sebastian
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From Publishers Weekly
When first published in Romania in 1996, Sebastian's journal from the period of Romania's fascist past met a stormy reception, for Romania was none too eager to explore anew its dark years of dictatorship and Nazism. Sebastian's journal, much like Victor Klemperer's recently celebrated diaries from Nazi Germany, stands as an extraordinary document of daily life as fascist powers gained control in the years before and during WWII. Sebastian, a Jewish writer of fiction and literary criticism, was active in Bucharest intellectual society. It was good fortune and connections that saved him from deportation (he continued to teach during the war); death came when he was hit by a truck in May 1945. Sebastian's journal offers a fascinating look at the political and intellectual life of Romania in the decade 1935--1944, from the literary scene in which he was so active to the musical tastes of himself and his friends, to the critical political shift from democratic sympathies to dictatorship and fascism. Interwoven with the panoramic view of society at large are the details of the author's stormy personal life, spiced by countless unsatisfying love affairs and close friendships with Romania's leading intellectualsDamong them Mircea Eliade and E.M. Cioran. Supported by an excellent introduction by Radu Ioanid and an adept translation, Sebastian's Journal represents an important source for understanding the dynamics of Romanian intellectual society in the 1930s and 1940s. This is being published in association with the U.S. Holocaust Memorial Museum, and it should appeal to a wide readership interested in learning more about life in Europe before and during WWII. First serial to the New Yorker. (Nov.) Copyright 2000 Reed Business Information, Inc.
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From Booklist
First published in Romania in 1996, this is the first English translation of the personal and literary diary of a young man in a unique position to chronicle and interpret social and political climate in the increasingly anti-Semitic environment in Eastern Europe. Living in Bucharest during a time when it was known as "little Paris," Sebastian was a young man during the years he wrote the journal. A lover of music and women, he was well known as an intellectual, playwright, and novelist. He was also a Jew. The journal chronicles his life as a writer, his involvement with others in the intellectual community, and his relationship with a University of Bucharest philosophy professor and leading figure in the community, a friend and mentor who eventually turned against him. The journal is fascinating on many levels, as a personal diary, a richly detailed record of historical events (later confirmed by archival documents), a glimpse of the lively literary world Sebastian lived in, and a horrifying account of escalating Romanian fascism. European editions have generated explosive debate over Romanian anti-Semitism. Grace FillCopyright © American Library Association. All rights reserved
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Product details
Hardcover: 672 pages
Publisher: Ivan R. Dee; First Edition edition (September 15, 2000)
Language: English
ISBN-10: 1566633265
ISBN-13: 978-1566633260
Product Dimensions:
6.6 x 1.6 x 9.5 inches
Shipping Weight: 2.4 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#1,490,713 in Books (See Top 100 in Books)
Review by Gabrielle GouchHistory! All countries distort it and communist Romania was no exception. That is why Mihail Sebastian’s book - a raw record of his life and the major political events in Romania between 1935-1944 - is so important.As weeks turn to months and months turn to years, the reader witnesses the gradual introduction of anti-Jewish laws. From confiscation of their houses and their possessions, including radios, to outlawing practicing their professions. From financial penalties, to forced labour. Even the price of bread is set at twice of that of the rest of the population. Credit, where credit is due, the inventiveness of the fascist government had no bounds. In time these laws would drive Sebastian into poverty and often despair.At first he is puzzled seeing his mentor and his best friends - high calibre intellectuals - becoming infatuated with the poisonous Nazi ideology. Later, he still meets them on occasions, but finds them repugnant.Without a radio, with his only source of news the German communiques, bragging about their victories, then more and more secretive as their luck turns, all Sebastian can do is speculate. But the progrom in his own city is no speculation. Neither is the queue of Jews about to be deported - he walks past. The fear and dread that one day it might be him standing there, would never be far from his mind. And yet when a well-wisher says to him to convert to Christianity - which in those days could have made the difference between life and death - despite being a secular Jew, he refuses. That’s moral fortitude!This book is about far more than war. It is also about literature. Among them Balzac and Proust, Shakespeare and Yates and even Jane Austin. He admires them, he comments about their techniques. But I found his own struggles with writing, the ups and downs of the creative process most interesting. And so are his doubts about writing when other people are murdered. It took fifty years for this book to be published and how grateful I am that it was.I grew up in Romania during the communist times. The history we learnt was mostly about class struggle. It did not mention Jews or Holocaust.My parents who lived in Brasov - where Sebastian went sometimes to ski - told me that their house was confiscated, but not about the other struggles, or their fear that they could be deported any day. My impression was that Hungary, from where hundreds of thousands of Jews were taken to be murdered, was far worse. So I was always grateful to Romania for my parents’ lives.Sebastian’s book has affected me greatly, and this an understatement.
After finishing this book over a week ago I find it persists, stays present in my mind. I learned a lot, not specific information but rather from the immersion that I experienced while reading the journal. I was moved. First some general information about the book:The author is an unmarried Jewish writer in his 30s living in Bucharest, Romania. His journal encompasses that period when Hitler was ascendant in Germany and throughout most of the war that ensued. He wrote plays, translated literature and had written a successful novel of his own. He moved in a large circle of friends and acquaintances, some of whom were important public figures in Bucharest. He liked classical music. Poverty was always close at hand, scrambling for money to pay rent is a frequent topic in his day to day endeavors. He's also quite self-critical, does not carry his proportional share of self esteem.Starting at the beginning I read along but became somewhat disappointed. I was just not that interested in how he struggled over the specifics of the writing he was doing. Nor his descriptions of the classical music that he heard on the radio. So I jumped ahead to his 1939 year and continued till the end, December 1944. Throughout there are many people involved, lots of names to make sense of. I had limited success. On average there are probably one or two entries for a week, generally succinct and without excess baggage.His writing drew me in, Day by day he was following the events of the War in Europe, knowing that the stakes were huge. And his observations were often prescient regarding what lay ahead. Present throughout are the difficulties and indignities that he lived as a Jew in Bucharest. And fear. Week after week, year after year there was just meanness in the official edicts that were laid upon the Jews. Sebastian had friends who were both Jewish and non-Jewish, and the reader is struck at how little empathy or care is shown by the non-Jewish ones.I also came to understand how the European Jews failed to flee to foreign places when the danger was obvious and arising. Sebastian had his work and his friends and his family all living in Bucharest. And considering what was going on elsewhere in Europe it is not clear that there was any real, viable alternative. Perhaps the United States, but that was a long ways away and emigration to the US was not easy.Personally I often feel quite critical of contemporary Israel. But this reading really helps me more fully understand the origin of the mindset that endures in the European Jewish community. This book will leave its mark on you, a valuable one..
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