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, by Thomas Berger
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Product details
File Size: 2074 KB
Print Length: 334 pages
Publisher: Diversion Books (July 12, 2016)
Publication Date: September 1, 2018
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B07H17VL6F
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Amazon Best Sellers Rank:
#688,428 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I just read today that Thomas Berger, one of the few truly great American novelists of the 20th Century, passed away on July, 21, 2014, at the age of 89.In the report of his death, the NYT wrote of this novel, "He ventured into science fiction (and Middle American sexual fantasy) with 'Adventures of the Artificial Woman' (2004); utopian fiction with 'Regiment of Women' (1973), in which men have surrendered their grip on the world..."If Thomas Berger is in Heaven today, I'm sure he had a laugh at that. The world of "Regiment of Women" is no utopia, the rule of women is no more benign or benevolent than that of men, and maybe that is Berger's point. But it isn't. The novel isn't political, it isn't about and has nothing to do with Feminism, it has no point to teach. There is nothing about how or why 'men surrendered their [evil] grip on the world'.What the novel is is:-science fiction (as are "Changing the Past", "Being Invisible", and several of his other novels); it asks 'What if?' and provides an entertaining and provocative answer-a portrayal of the human condition and how we might see it more truly if we tilted it into comedy and looked at it reflected in a fun house mirror-literature, the English language used as almost no one writing today can use it-hilariousAnd, unfortunately, it is a little dated, given all the gender switching which has been going on in reality in the decades since the novel was written.But if you have a taste for the English language used with gorgeous perfection, try this novel. And if you like it, I suggest that you next read Berger's "Robert Crews", the two seem to work very well as a pair.
A real gender bender. I recommend Berger for almost all of his novels. The best is Little Big Man.
The images in this book are stunningly beautiful, and the back story of John White is heart-breaking. A happy addition to my bookshelf
I had opportunity to see the breathtaking originals of John White's drawings, in a low-light, time-limited, rare exhibit in London.Whereas any reprinted images, viewed at leisure in good light cannot capture the almost-sacred quality of the originals, the color ones in "America 1585, The Complete Drawings of John White", are extraoidinary; the black-and white ones--good but not so moving. To think that the 1585 expedition to the New World had an official artist, the photo-journalist of the day, and we can see his work nearly four and a half centuries later, fills the reader/viewer with wonder and an appreciation of history impossible to glean from normal study.
This book provides valuable and historic information on African Americans in the entertainment industry (primarily film and television). Sought out in researching Gordon Parks, I found the book less useful for any depth of information on Mr. Parks but excellent in its introduction and overview. Particularly satisfying was the book's spotlight on the less known facts and challenges that faced and continue to face African Americans in film and television.
An excellent, very informative book, beautifully illustrated.
This novel demonstrates the importance for all men to have a working relationship with their regenerative organs. The dystopia Berger describes is a hilarious and terrifying societal order where biology is given the same treatment as all young boys having their cherries popped by lecherous women on the prowl for hot boy meat. All the inversions are great: gender roles are reversed, boys wear silly little underthings, blush, fret over the color of their toenails, bitch like drag queens, and girls are raised to be tough, mean, and aggressive. Girls play with guns, join the army, kill people. Boys play with their Kitty Carry-All dollies, and are prized for their pretty features and gaity. But apparantly all the boys grow up straight. Homosexuality is something of a myth. Buggery, however, is all too real.The upshot of all this is a society where women rule everything. But they can only do so because they've ostensibly created a system that denies a man a working relationship with his "original" tool. Boys never learn what their willies are FOR. They are told a pack of lies about sex. They grow up hating their organ and its hideous accomplices. If they complain too loudly, they are frequently threatened with the knife. There are plenty of eunichs around to serve as examples of what the wrong attitude can mean for a boy.The women of this world have only taken on the superficial characterists of men. Still, they aren't men. They are as much parodies of men as the men are of women. They must use dildos on their boy-slaves in order to luxuriate in their absolute domination of them. Sex is presented as power. Specifically, the penis is power. Women, no matter what they do to attempt to mimic stereotypical masculinity--will never have the true psychological advantage that is manifested through a synchronicity between the male's brain and his red headed stranger.Of course, feminists can tear this book to shreds. It would probably be a whole lot of fun, actually. It totally mocks feminism with an unrestrained glee. However, it clearly celebrates liberation for both men and women--a return to the biological imperatives that each human in instilled with at birth. The horrorshow presented in this book is an illustration of the folly of any attempt to subvert nature and create a [wo]man-made utopia that can only be sustained through treachery and callous, hateful deceit. Nevertheless, our own world has certainly subjugated whole sets of peoples for various reasons throughout history. So much that is in this book is most powerful because it rings so true.
Original in its telling if not in its conception. This book is about 25-30-years old, but is still highly readable. Berger, in another book, had a character say that as long as women want to be men, judge their lot by comparing themselves with men, they'll get no sympathy from him, and that about sums up the theme of this highly inventive comic novel. At the end, when the man and woman have real sex, the first time she is on top, the second time he is: "If he was going to be builder and killer, he could be boss once in a while. Also, he was the one with the protuberant organ." The book ends with an inscription by Nietzsche that is ambiguously telling: "Woman was God's second mistake."
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